Teaware

Purple Clay Snubbed in Japan Japan, like China, has a long history of "tea drinking," and is even renowned worldwide for its tea ceremony. Compared to the elegance and expressiveness of Chinese tea wares, Japanese tea utensils perhaps possess a more delicate and graceful Eastern charm. Recently, I met with Cui Shaosong, a porcelain collector who studied in Japan and worked in an antique shop there for five years. Listening to his detailed account, this unfamiliar craft from a foreign land became familiar and endearing. Unlike the Chinese custom of drinking tea, the Japanese often use ceramic pots glazed both inside and outside. "Lid-lifting teapots are rare; most are side-handle teapots with spouts uniformly facing left." The Japanese indifference to traditional Chinese teaware, the purple clay teapot, was something Cui Shaosong did not expect when he was back in China. During his travels, Cui Shaosong specifically noticed that Japanese museums, brimming with Chinese treasures, had never displayed a single purple clay teapot. The purple clay teapot he brought as a gift for his Japanese friends also received a polite but lukewarm reception. "Japan has its own 'purple clay,' known as 'beni' (vermilion clay), which is very bright in color, but…

It seems like yesterday, yet it has truly been an era of vicissitudes; the smoky clouds of the Song Dynasty have faded, but the long river of history has left behind the immortal legend of the purple clay teapot. The teapot says, "I am still waiting, waiting for that tea that understands me." The tea says, "I have always been waiting for that purple clay teapot that embraces me." Thus, a tea leaf falls into the pot, meets water, and from then on there is tea, leaving in the human world a tale of tea that can never be fully told. Tea leaves are sentimental. China is the homeland of tea, where there is no shortage of tea brewing vessels. However, tea leaves have a special fondness for this particular pot—the purple clay teapot. The purple clay teapot is also loyal to the tea leaves. For the sake of tea, it gives everything it has, devoting its entire life to protecting the tea. The tea says, "There are countless fine teas in the world, but why do you always overlook them and choose only me?" The teapot says, "In the world of purple clay, the ancient adage 'serve one master…

Some people find wood-fired purple clay teapots stunning, while others think they lose the original beauty of purple clay. Ultimately, the choice is left to individual tea enthusiasts. In addition to wood-fired pieces, there are also reduction-fired and ash-covered purple clay teapots. Today, we will cover all three techniques in one go. Wood-Fired Purple Clay The wood-firing (naked firing) process gradually increases temperature. On the first day of firing, a low-temperature smoking process begins, allowing the carbon released from the wood to fill the pores of the clay. Once the surface of the clay turns black due to the carbon, the temperature can be further increased. This process takes approximately 30 hours. The characteristic of wood-firing is that ashes and flames directly enter the kiln. Unlike conventional glazes, the falling ashes naturally adhere to the surface of the piece and, when fired at high temperatures, form a lustrous, rich, and layered natural ash glaze; Molten or unmelted wood ash creates smooth or rough textures on the surface, along with various color changes, leaving traces of where the fire once resided. The result is natural and unadorned, unpredictable and non-repeatable. The color and texture of a wood-fired purple clay teapot depend…

Famous Chinese tea wares include celadon, white porcelain, and more. Where are they produced? Let’s delve into the details below. The Top Ten Production Areas for Famous Chinese Tea Wares: 1. Yue Kiln: Known for Celadon Production The Yue Kiln is a primary production site for southern celadon in ancient China. The Tang Dynasty marked the peak of Yue Kiln craftsmanship, earning it a distinguished reputation both domestically and internationally. 2. Xing Kiln: Known for White Porcelain Production The Xing Kiln was one of the earliest sites in Northern China to produce white porcelain. It was located in Neiqiu County and Lincheng County’s Qicun area, under the jurisdiction of Xingtai City, and holds a significant place in the history of Chinese ceramics. 3. Ru Kiln: Known for Sky-blue Glaze Ru Kiln is located around Qingliang Temple in today’s Baofeng, Henan Province. Named after the city of Ru during the Northern Song Dynasty, it is renowned for its celadon tea wares, including sky-blue, pea-green, and powder-blue varieties. 4. Jun Kiln: Known for Copper-red Glaze The Jun Kiln, also known as Junzhou Kiln, was established in the town of Shenhoushen, Henan Province, during the early Song Dynasty. The ancient Jun Kiln site…

Why talk about this topic? It's inspired by frequent sincere requests from enthusiasts saying: I want to buy a teapot, no high demands, as long as it’s made of original mine clay. Others start with the first question: Is it original mine? The pursuit of original mine purple clay is a basic consensus among collectors and enthusiasts. This isn't some elitist prejudice; we must admit that in the minds of players, original mine material is like "noble offspring." So, what’s so good about original mine clay? The essential conditions for original mine clay refer to both the source of the mine and the fact that no chemical additives are used in the raw material extracted directly from the mine to make the clay. Good original mine purple clay contains many tender clays and is a combination of various minerals, especially with very high iron content. After firing, the color becomes dark and subdued, presenting an aged appearance. Additionally, good original mine clay has been aged for a long time, develops patina quickly, and is highly adaptable. In terms of texture, teapots made from original mine clay have a refined luster that is restrained and warm like jade. These are all…

Purple clay teapots, due to their unique material and manufacturing process, have natural pores between the particles of clay, which makes them breathable but not watertight, very suitable for brewing tea. But does achieving a good patina have anything to do with the type of tea? Does more expensive tea necessarily lead to a better-looking patina? In fact, the quality of the tea has nothing to do with the patina. It is related to the type of tea and the method used to nurture the pot, rather than the cost of the tea determining the quality of the patina. Oily teas, such as Tieguanyin, release oils during brewing that gradually permeate the surface of the pot, leading to the formation of a patina in a relatively short time, giving it an ancient and lustrous appearance. Teas like ripe Pu'er, black tea, and Tieguanyin are particularly effective for nurturing the pot. When nurturing the pot, there are two methods: one is external nurturing, where tea soup is poured over the pot body, allowing the pot to absorb the tea, then hot water is poured over it, and finally, the pot is wiped clean with a tea cloth, ensuring no tea stains…

 Savoring tea is a form of enjoyment and an art of living. The teapot, for the tea connoisseur, is the cradle that nurtures the tea leaves. It endures hardship and toil, silently holding and developing the aroma and flavor of the tea – this is both the task and spirit of a teapot. When selecting a teapot, one should not be confined to narrow considerations. After all, valuing rarity or prestige is more suited to antique collectors or experts. Generally speaking, a new teapot that meets basic criteria, if properly maintained and adept at developing aroma and flavor, is sufficient. Therefore, whether ancient or modern, a good teapot is always desirable. The teapot is the centerpiece of tea ware, and the focus of the tea brewing process that most influences personal experience. Thus, whether in selecting or maintaining a teapot, proper methods must be followed. This article lists seven key principles for selecting a teapot for your consideration. These are: aesthetics, material quality, pot flavor, precision, water pouring, balance, and suitability. Here they are: I. Aesthetics Everyone has different tastes when it comes to aesthetics. The aesthetics referred to here primarily concern personal preference. For the shape and appearance of…

Purple clay teapots need to be nurtured, and the more they are cared for, the smoother and more lustrous they become with a rich, understated sheen. This is what many teapot enthusiasts or newcomers to the hobby hope to achieve. Over time, the gradual infusion of tea juices, the continuous handling, dust, sweat, and even the prolonged rubbing of clothes and skin, along with the gentle caress of airborne particles, accumulate layer upon layer. They seep into the teapot, gradually forming a "weathered" sheen on its surface, which is known as "patina." It's similar to the oil-brightened appearance that a yoke would develop from long-term use in our childhood homes. This "weathered" appearance exudes a warm, reserved glow, much like the scholarly refinement of a Confucian scholar, quietly nourishing everything around it. It is not an ostentatious brightness nor the "falsified luster" of fake teapots but rather a luminous quality imbued with spirit through prolonged contact with the human body. Patina is a term used in the antiques trade, not just applicable to purple clay teapots. Items such as porcelain, wooden objects, jade, bronze, and even thin paper artifacts like paintings and calligraphy can develop patina after being weathered by…

1. Old pots are always better than new ones. This statement is incorrect. Firstly, old pots from the Ming and Qing dynasties, if not made by famous artists, are inferior to modern purple clay works in terms of both clay quality and craftsmanship. This is because the techniques for mining, refining clay, and the tools used for making pots were not as advanced at that time. Secondly, so-called 'First Factory' or 'Cultural Revolution' era pots, which were made using gas kilns, do not have particularly distinctive clays. Many of these clays are still available today. 2. Purple clay pots are unsuitable for brewing green tea; glass cups are definitely better. This is also incorrect. One of the reasons why purple clay pots are considered the best tea utensils is their versatility. The claim that they cannot be used for green tea is based on the idea that they would oversteep the tea. However, purple clay pots made from dun clay with good breathability, wide openings, and fast pouring shapes are very suitable for brewing green tea. For those who prefer to watch the tea leaves unfurl, a glass cup can be used, but it is certainly possible to brew green…

The gaiwan brings out the original flavor, while tea brewed in a purple clay pot is enhanced. You will find it somewhat sweeter. If you are not doing a tea tasting but enjoying an aged tea, many seasoned tea enthusiasts would choose a purple clay pot. Brewing Puer Tea with a Purple Clay Pot Suitable for brewing ripe tea, aged tea, and compressed tea. Given that puer tea improves with age, it is suitable to use high temperatures to awaken the tea leaves and extract their contents. A purple clay pot has good breathability and heat retention, absorbs tea juice, and is resistant to both hot and cold temperatures. Secondly, its good breathability helps to restore the true color, aroma, and taste of the tea. Moreover, due to the unique nature of its material, it is very suitable for brewing compressed teas, aged teas, and ripe teas. Its excellent heat retention slows down the dissipation of the aroma, making the brewed tea more flavorful. Furthermore, long-term use can enhance the aroma of puer tea, making its flavor richer and more mellow. Brewing Puer Tea with a White Porcelain Gaiwan Suitable for brewing new teas, raw puer teas, and loose teas.…

The selection of tea utensils should take into account three factors: the occasion, the number of participants, and the type of tea. High-quality tea utensils paired with premium teas complement each other, enhancing the enjoyment of tea tasting. For example, for high-grade green tea, a clear glass cup without patterns or colors is recommended, as it not only suits the temperature needed for brewing green tea but also allows one to appreciate the color of the tea and the transformation of the leaves. For oolong tea, an elegant and rustic purple clay pot is ideal; for flower-scented tea, a lidded teacup that can retain fragrance and warmth is suitable. The choice of tea utensils also depends on the quality of the tea. For instance, for mid-range green tea with ordinary appearance, a porcelain pot would be chosen for brewing. The brewing utensils must be clean and intact, and when choosing them, attention should be paid to the coordination of colors, materials, and the harmony of the entire set of tea utensils. The arrangement of tea utensils should be logical, practical, and aesthetically pleasing, paying attention to the sense of hierarchy and the variation in lines. When setting up the utensils,…

 When purchasing a purple clay pot, enthusiasts usually fear two things the most: first, buying a fake purple clay pot, and second, buying one made with chemical additives. So how do you choose a good purple clay pot? Look at the Texture Pure purple clay pots have a restrained luster, a texture like warm jade, a stable color, and an aged appearance. With high-quality clay, you can see the effects of use within half a month. Pots made from clay with chemical additives show little change no matter how much they are used; they remain dry. Although they can create a so-called mung bean paste effect, the surface glaze (due to the addition of wood shaving water, also known as quartz water) prevents the tea water from being absorbed, and oils from handling cannot penetrate the surface. Thus, such pots will not develop a patina. Check the Water Absorption Genuine purple clay pots, except for red clay and some dun clay varieties, generally have strong water absorption properties. This is why it's often said that tea brewed in a purple clay pot tastes better than in other types of teapots. Pots made from clay with chemical additives typically lack water…

In recent years, the Zisha auction market has been thriving with record-breaking prices, and many people are purchasing Zisha teapots as investments. Due to the existence of a professional title system, even contemporary teapots have potential for appreciation in value.For example, if I buy a teapot made by an artisan, and two years later they gain a higher professional title, the value of the teapot naturally increases. However, this has also led to a chaotic market filled with teapots made by proxy. Many of those who produce teapots by proxy have multiple sets of seals, and their works can be found in all shapes and forms on the market: floral, square, ribbed, odd-shaped teapots, as well as various types of clay and craftsmanship.If we think about it carefully, is this possible? Those who know more about Zisha teapots understand that each artisan specializes in their own craft. Apart from exceptional talents like Gu Jingzhou, most artisans only make teapot shapes they are skilled at. In the proxy circle, everyone becomes a Gu Jingzhou, capable of producing any type of teapot. They claim their clays are original mine, but what you end up buying is often left to fate. A Zisha…

How to nurture a beautiful teapot? This is the most frequently discussed topic and one that every enthusiast of teapot artistry wishes to delve deeper into. Here, I am willing to share my humble insights gained over many years of nurturing teapots for the reference of fellow enthusiasts in the teapot arts. Firstly, good clay. The proudest achievement in nurturing a teapot lies in the uniqueness of the purple clay material; the secret to successful nurturing primarily depends on the quality of the purple clay. Superior clay allows you to achieve twice the result with half the effort, fully enjoying the pleasure and sense of accomplishment in nurturing the teapot; inferior clay will make your efforts futile, leaving you with a tasteless experience and nothing but regret. Therefore, carefully selecting purple clay is the first step to successfully nurturing your teapot. Secondly, thoroughly clean the teapot. If it's a new teapot, be sure to remove the vaseline applied to the surface of the teapot (this can be done by boiling or using salad detergent to clean it); if it's an old teapot, wash away any accumulated grime on the surface. Whether it’s a new or old teapot, returning it to…

The shape of the teapot is a crucial factor in determining the capacity of a purple clay teapot.Some shapes are delicate and elegant, suitable for being made into medium or small size teapots, such as the West Lady, Horizontal Level, and Siting Pavilion shapes, etc. If they were forcibly made into large or super-large sizes, would they retain their charm?Some shapes are majestic and imposing, suitable for being made into large or super-large size teapots, such as the Han Dynasty Square, Quadrangular Jade Seal, and Han Dynasty Roof Tile shapes, etc.If they were forcibly made into small teapots, would they still exude their presence?It is precisely because of this inherent quality that we can see millions of different shapes, each with its unique characteristics.Those who love purple clay teapots will certainly encounter this problem: having acquired large, medium, and small teapots, how should one pair and use large and small teapots in daily life to ensure they are all used equally? Small teapots are convenient to carry and can be taken on business trips in your bag.They can be brought to tea houses for morning tea, hidden in office drawers for a quick tea break. They are easy to handle…

Many teapot enthusiasts snub half-handmade teapots and are eager to acquire fully handmade ones. But what are the actual differences between these two crafting methods? Differences Between Fully Handmade and Half-Handmade (1) Firstly, from a craft perspective: Half-Handmade: These teapots still involve manual work. Simply put: First type: The spout, handle, and lid are handcrafted while the body is made using a mold. Second type: The body is handmade while other parts are made with molds. Third type: The entire teapot is formed using molds, so half-handmade teapots can also be called mold-made teapots. Fully Handmade: This involves using tools without molds to create a teapot, making the process more challenging and time-consuming. (2) Half-Handmade Teapots Cannot Be Mass Replicated Indefinitely Some enthusiasts worry that half-handmade teapots can be endlessly replicated using molds. In reality, half-handmade teapots still contain the maker's creativity and are unique. For example, the Ti Bi Teapot by Gu Jingzhou and the Curved Teapot by Wang Yinxian both use molds for shaping. Even contemporary masters or senior artisans cannot achieve the same effect when using the same molds. Some teapots, especially those with intricate designs, cannot be crafted without molds. (3) From a Practical and Collectible…

All things in this world are truly complementary and contradictory, "Brother Fine Tea" since meeting "Sister Purple Clay," it's like a "lover" meeting his "pretty maiden," they are destined to be together forever, loving tea doesn't necessarily mean loving purple clay, but those who love purple clay will certainly love tea. Regardless of whether you love purple clay because of your love for tea or vice versa, once you're in love, no one can unravel this triangular relationship, the love, hate, affection, and resentment are not just a matter of "fate." Playing with pots should be done with a content and happy mindset. You must know that "there are countless good pots in the world, and it's impossible to collect them all in one lifetime." Many pots existed before you were born which you never got to see, many more you couldn't get after you were born, and even more masterpieces will remain out of reach after you pass away. Why worry about temporary gains and losses? Life is short, and we can only say "once had" about worldly matters, there's no such thing as "eternal." Which of the famous pots that have survived through the ages hasn't changed hands…

  Purple clay is a thin layer found within the Jia clay ore, and due to its higher iron oxide content compared to Jia clay, it turns purple or dark brown after firing, making it the primary material for crafting purple clay teapots. Purple clay can be further divided into purple clay, red clay, and green clay. Within the category of purple clay, there are also subtypes such as purple clay, Dicaoqing, Hong Pilong, Bai Pilong, Hong Mazi, and Bai Mazi. These three base clays are like the primary colors in painting, capable of producing an infinite variety of hues through different ratios of mixing. The color variations of purple clay achieved through different mixtures of these three base clays and firing temperatures are considered natural and additive-free. This is similar to how we would refer to fabrics dyed with natural plant pigments by ethnic minorities as naturally colored coarse cotton cloth. The color changes in purple clay are related to the types and proportions of metal oxides present in the clay. After firing, the clay can display a range of colors including sky blue, dark liver, hibiscus red, vermilion purple, aquamarine, sunflower yellow, pear skin, pomegranate peel, dark green,…

A high-quality Yixing purple clay teapot is unforgettable, and it should possess four characteristics: first, it must be beautiful, captivating at first sight; second, it must be appealing upon repeated viewing, never tiring the eye; third, it must have a certain charm, evoking a sense of wonder; and fourth, there must be a connection, making you think about it constantly. Beauty means that it is visually pleasing and stands out, transcending the ordinary in a sea of Yixing teapots, leaving an indelible impression and captivating one’s heart at first glance. It’s important to note that being visually pleasing doesn’t mean being overly flashy, and standing out doesn’t equate to being outlandish. Those artifacts that attempt to grab attention through bizarre shapes or grotesque decorations may have a visual allure, but due to their excessive flamboyance, they fail to be enduringly pleasing to the eye. Being appealing upon repeated viewing means that the teapot can withstand close and repeated inspection, always revealing something new and never becoming tiresome. Some teapots might initially shock with their impact, but further examination reveals poor craftsmanship; what appears alluring today becomes dull tomorrow. Fine Yixing art has spirit and soul. Capturing this elusive essence of…

Hello fellow teapot enthusiasts, have you ever come across this practice where some people, especially when nourishing their teapots at night, like to leave tea leaves and concentrated infusion inside, thinking that this will speed up the patina formation process, making teapot nourishment more efficient and convenient, while also being effective. Is this approach really correct? Can tea leaves and tea water be left in a purple clay teapot overnight? The answer is no. Leaving tea leaves and tea infusion in the pot overnight, once cooled, has no effect. Leaving tea leaves and tea infusion in the pot overnight for extended periods, particularly during hot summer days, can easily lead to the growth of harmful substances within the teapot. Purple clay teapots are prone to accumulating dark tea stains over time, which become very difficult to clean and may look rather unpleasant, diminishing one’s desire to drink tea. When nourishing a teapot, the hot tea infusion penetrates the pores as steam evaporates, bringing out tea oils onto the surface of the pot. Repeated wiping with a tea cloth forms a patina. Leaving tea leaves and tea infusion in the pot overnight, once cooled, has no effect. Leaving tea leaves and…

Drinking tea has been a tradition in China since ancient times, yet not everyone knows the correct way to do so. Even fewer can present the entire tea ceremony with finesse. The tea ritual is a spiritual legacy left by our ancestors, and it would be a beautiful thing if we could carry it forward. Here are the thirteen steps of the tea ceremony: First Step: Clean Hands and Appreciate Utensils This involves washing hands, which is very important for hygiene. First, introduce the tea into a lotus leaf and invite guests to admire the tea. Then, appreciate the utensils: Jingdezhen porcelain or Yixing purple clay teapots are preferred for their suitability in enhancing the tea's flavor. This step helps set a relaxed mood before drinking the tea. Second Step: Warm Cups and Teapot Rinse all the tea utensils with boiling water. This ensures cleanliness and also preheats the utensils, which enhances the aroma of the tea. Pour boiling water into the purple clay teapot, fairness cup, aroma cup, and tasting cup. Some people refer to this as warming the utensils. Third Step: Dragon into the Palace Place the tea leaves into the teapot. This step, though simple, can be…

Chinese people have a long-standing obsession and fascination with certain colors. One is the "sky-blue color waiting for rain" of the Ruyao "qing," while the "qing" of Longquan celadon is another. The green mountains yield celadon from Longquan, and over two thousand years ago, the people of Zhejiang's Longquan began writing the legendary history of creating celadons. Whether it is the layered green glaze colors, the interwoven textures of the porcelain shards, or the rounded and unique shapes, Longquan celadon always precisely stirs the Chinese sense of "beauty." The ceramic authority Chen Wanli once said: "Half of China's ceramic history lies in Zhejiang; half of Zhejiang's ceramic history lies in Longquan." The production of Longquan porcelain has a long history. It is the capital of celadon and swords, a national historical and cultural city, and a national advanced city in culture. Longquan got its name from a sword. During the Spring and Autumn period, Ouyezi cast three swords in Longquan, naming one "Longyuan," which became the place name. Later, to avoid offending the Tang Dynasty's founder, Li Yuan, it was changed to Longquan. During the Three Kingdoms and Jin periods, local residents relied on natural conditions to fire celadon. At…

In most people's minds, antiques are valuable and have the potential to appreciate in value. Thus, many believe that this is also the case when it comes to collecting purple clay teapots. Graphics and Text | Sandhai Mo Yun To date, the earliest known and dated purple clay teapot discovered was the "Wu Jing Tiliang" unearthed in Nanjing in 1965. Purple clay teapots from the Ming and Qing dynasties are certainly "antiques" compared to modern ones. Ming Dynasty Wu Jing Tiliang But does that mean that all Ming and Qing dynasty teapots are valuable? The answer is clearly no. Only those Ming and Qing dynasty teapots that meet certain necessary conditions can be considered valuable "antiques." Below, Xiao Yun will analyze what makes a Ming and Qing dynasty teapot valuable (necessary conditions). 01 A Genuine Ming or Qing Dynasty Teapot When considering whether a Ming or Qing dynasty teapot is valuable, the first step is to determine if it is truly an old teapot rather than a modern imitation of an old one. Faux-Aged Imitation Teapot There are now people who specifically collect old teapots, leading to a significant number of fake old teapots on the market. Some individuals even…

China is one of the world's major producers and consumers of tea. On our vast land, there are six distinct types of tea and nearly a thousand different varieties. The naming methods vary across these diverse categories. Various and distinctive naming methods are hallmarks of Chinese culture. Below, we will briefly explore some of the naming methods used for well-known Chinese tea varieties. 1. Naming based on the scenic mountains and rivers of their origin is common among the teas we drink. Examples include "West Lake Dragon Well" from Hangzhou, Zhejiang; "Yuhua Tea" from Nanjing, Jiangsu; "Putuo Buddha Tea" from Mount Putuo; "Huangshan Maofeng" from She County, Anhui; "Maoshan Qingfeng" from Jintan, Jiangsu; "Shennong Qifeng" from Hubei; "Jinggang Cuiru" and "Lingyan Jianfeng" from Jiangxi; "Tianshe Qifeng"; "Cangshan Xuegreen" from Yunnan; "Helin Immortal Tea" from Sichuan; and others. 2. Naming based on the shape of the tea leaves is also common. For example, "Melon Seed Tea" from Lu'an, Anhui, which resembles melon seeds; "Sparrow Tongue" from Hangzhou, shaped like a sparrow's tongue; "Pearl Tea" from Shengxian, Zhejiang, shaped like pearls; "Eyebrow Tea" or "Slim Eyebrow Tea" from Zhejiang, Anhui, and Jiangxi, resembling eyebrows; "Purple Bamboo Shoots" from Changxing, Zhejiang, shaped like…