Teaware

Is it necessary to inaugurate a new purple clay teapot? A newly made purple clay teapot lacks luster. Inauguration is not mandatory, but it can help remove unwanted odors and clear any residual heat and dryness, so it is recommended. For good black tea, Pu'er tea, aged white tea, and oolong tea, one should pair them with a fine Yixing purple clay teapot, which enhances the ambiance and experience of tea drinking. Many newcomers to the world of teapots are often misled by various inauguration methods found online. In fact, a new purple clay teapot can be used directly after being cleaned with water; there is no need for a complicated inauguration process. Firstly, the master believes that whether inaugurating or nurturing the teapot, one should follow nature and use simple yet effective methods. There are two inauguration methods commonly found online: one involves using tofu placed inside the teapot and then simmered in a pot, while the other replaces tofu with sugarcane, both cooked in a similar manner. Neither method is advisable, in the master's opinion. How to properly inaugurate a teapot? The main purpose of inauguration is to address the residual earthy taste and kiln dust within the…

The four treasures of tea utensils are: the Mengchen Brewing Pot, Ruochen Cup, Yushu Kettle, and Red Clay Brazier. The Mengchen Brewing Pot is a small teapot made from Yixing purple clay. Why is it called Mengchen? According to legend, Mengchen was a famous potter from the Ming Dynasty in Jiangsu, China, surnamed Hui, who specialized in making small teapots. When used for brewing tea, these small pots retain the color, aroma, and flavor of the tea. They are durable, and even when filled with boiling water alone, they impart a tea flavor. In the heat of summer, tea left overnight does not easily sour. These teapots have strong heat resistance, so there is no risk of cracking when boiling water is poured into them during winter. Additionally, they conduct heat slowly, so they do not become too hot to handle when in use. Over time, they develop a luster and take on an antique appearance. The Ruochen Cup, often paired with the "Mengchen" as the two jewels of tea utensils, is a thin porcelain cup. It is as thin as paper and as white as snow, small and delicate, resembling half a ping-pong ball or a miniature rice bowl.…

Celadon, the pinnacle of glory in the history of Chinese ceramics, and Plums Green is the finest of celadons. How many are enchanted by that lustrous verdure? On scorching summer days, tea is most appropriate. Prepare a set of Plums Green celadon tea wares. Just one glance brings a sense of coolness. The Plums Green celadon evokes memories of green plums hanging from branches on rainy early summer days at first sight. This fresh and elegant aura easily stirs memories of youth. Green glaze is the earliest colored glaze in China. The yellowish-green glaze of proto-porcelain during the Shang and Zhou dynasties marked the early stage of green glaze. By the Han dynasty, pure green glazed porcelain had been produced. By the Tang dynasty, it reached perfection and was acclaimed as "the verdure of a thousand peaks." Plums Green, the finest of celadons; and celadon, the pinnacle of glory in ceramic history. The Plums Green glaze has a gray base tone, with hues of green and blue, the glaze layer is thick like congealed fat, and the glaze surface is lustrous and clear. Its beauty cannot be fully appreciated at first glance, and its charm is indescribable. The exquisite Plums…

A high-quality Yixing purple clay teapot is unforgettable, and it should possess four characteristics: first, it must be beautiful, captivating at first sight; second, it must be appealing upon repeated viewing, never tiring the eye; third, it must have a certain charm, evoking a sense of wonder; and fourth, there must be a connection, making you think about it constantly. Beauty means that it is visually pleasing and stands out, transcending the ordinary in a sea of Yixing teapots, leaving an indelible impression and captivating one’s heart at first glance. It’s important to note that being visually pleasing doesn’t mean being overly flashy, and standing out doesn’t equate to being outlandish. Those artifacts that attempt to grab attention through bizarre shapes or grotesque decorations may have a visual allure, but due to their excessive flamboyance, they fail to be enduringly pleasing to the eye. Being appealing upon repeated viewing means that the teapot can withstand close and repeated inspection, always revealing something new and never becoming tiresome. Some teapots might initially shock with their impact, but further examination reveals poor craftsmanship; what appears alluring today becomes dull tomorrow. Fine Yixing art has spirit and soul. Capturing this elusive essence of…

For many newcomers, there may indeed be some confusion. After all, the culture of purple clay has continued for hundreds of years, enduring and thriving, playing an increasingly important role in tea culture. This further illustrates that for tea drinkers, a purple clay pot is indispensable tea ware. Many seasoned tea enthusiasts have used purple clay pots from the beginning, and later even purchased dozens of various styles of Yixing purple clay pots. To those unfamiliar with purple clay pots, this may seem quite perplexing! Why do so many people like to brew tea using a purple clay pot? Why is Tea Brewed in a Purple Clay Pot Better? The most direct benefit is that it doesn’t get too hot to handle. Due to the nature of the material, a purple clay pot does not conduct heat easily. Also, because of the unique shape of the pot, one’s hand is less likely to touch the walls of the pot. A purple clay pot can absorb the aroma of tea. The unique material allows a frequently used clay pot to retain the tea fragrance, and the longer the pot is used, the stronger the tea scent it retains. A purple clay…

      1. Try to avoid dry burning. Do not heat the kettle when there is no water in it. Repeated and continuous dry burning will shorten the lifespan of the iron kettle and may even cause it to crack. 2. Prevent large temperature differences. A large temperature difference refers to a significant difference between the temperature of the kettle body and the water temperature. For example, adding hot water to a cold kettle or pouring cold water into a hot kettle. In such cases, there is a risk of cracking the kettle. A better approach is to alternate the use of two or more iron kettles. When you only have one kettle, you can replenish the water inside by adding hot water. 3. Keep the iron kettle dry. If there is still moisture left inside the kettle after use, it can easily rust. Therefore, you should use the residual heat from the kettle and stove to evaporate any remaining water inside, ensuring that the kettle stays dry.

"Amidst the wild springs, fires, and white clouds, I sit drinking fragrant tea and loving this mountain." In ancient times, people valued not only the tea but also the setting. The setting refers to the environment, the artistic conception, and even more so, the state of mind. Zhu Quan of the Ming dynasty said: "All those who are like cranes and phoenixes, poets and hermits, can transcend the mundane world and dwell beyond material things, refusing to be part of the masses or tainted by the secular world." Besides elegant rooms and refined cottages, natural landscapes, forests, springs, gardens, and countryside were all natural spaces for tea. Regardless of the season or weather, a bowl of tea brings not only physical pleasure but also a harmony between the soul and nature. Sitting amidst the mountains and waters, one drinks tea and engages in spiritual communion with heaven and earth. Setting up / Welcoming the New Seeking: Affection for Mountains and Waters "The wise find joy in water, the benevolent find joy in mountains." Mountains and waters are the confidants and spiritual havens of Chinese literati. They can be places for leisurely wandering, sightseeing, quiet contemplation, seclusion, and elegant gatherings—a sanctuary…

 Popular Style: Purple clay artifacts have their roots in the soil of daily-use pottery. According to archaeological evidence, pottery-making activities date back to the Neolithic period, around five to six thousand years ago. By the Tang and Song dynasties, the greenware and daily-use pottery produced in Yixing were able to meet the needs of people's lives and production. Popular-style purple clay artifacts use common materials, feature simple designs, are highly functional, and are affordable. Scholarly Style: Chinese scholars have conducted extensive research into tea culture. Since the Song dynasty, drinking tea has been a significant part of scholarly gatherings. Thus, scholars began to infuse their aesthetic tastes into purple clay teapots. Scholarly-style teapots are made from carefully selected materials, have simple yet elegant designs, and bear inscriptions that express emotions through objects. These teapots possess extremely high cultural and artistic value. Court Style: The sources of imperial purple clay artifacts during the Ming and Qing dynasties came through two channels: the first was local officials selecting fine works by outstanding craftsmen to present to the court for imperial use; the second was when an emperor found a teapot unsuitable to his aesthetic standards or usage habits after using it, he…

The phrase "this purple clay teapot has been fired multiple times" is often seen. Does this mean it wasn't fired properly the first time, so it had to be tried again? Actually, that's not the case. So why were older purple clay teapots fired only once, while modern ones are fired two or more times? Is it better to fire them once or twice? When Were Teapots Fired Just Once? Before the Republic of China period, local artisans in Dingshu hadn't yet adopted modern kiln-firing techniques and mostly used dragon kilns. Dragon kilns have poor controllability, and each additional firing increased the risk of damage. Therefore, older teapots were typically fired just once. As a result, the lids rarely fit tightly, unless the potter was an exceptional master who understood the clay's properties perfectly. Such masters were rare. Why Are Modern Purple Clay Teapots Fired Multiple Times? With advances in modern technology, new kilns like shuttle kilns and electric kilns have become common, allowing for precise temperature control. With higher standards for craftsmanship, a second firing became standard practice to ensure a tight lid fit. The first firing is at a lower temperature. After the teapot comes out of the…

Some collectors do not understand the principles of nurturing a teapot and believe that simply placing it in a clean spot after purchase is sufficient. Thus, they often place the teapot in a display cabinet or pack it into a box, considering their task complete. Such a method of storing teapots is highly inadvisable. Newly purchased teapots should be carefully nurtured during tea brewing sessions before being stored. Using a teapot skillfully is actually the best form of maintenance, although this may not apply to rare purple clay artifacts. Tang Yun, a prominent contemporary collector of purple clay, liked to use his "Man Sheng" teapots in rotation for brewing tea just like ordinary teapots. He once said, “I don’t want to use antiques as mere decorations; I want to use them. If something can be used, I will use it.” Some guests would feel awkward when he served them tea brewed in such precious teapots. Mr. Tang would laugh and say, “These are merely external possessions; they should be used frequently. Only through frequent use can they become part of one’s inner self, achieving a state where both the object and oneself are forgotten. Most people do not understand this.”…

Zisha Teapot In the early years of the Republic of China, the city of Yixing, known for its bamboo groves and kiln smoke, welcomed an ordinary day. However, in Dingshu Town, the Ceramics Apprentice School was bustling with excitement. The owners of Utilization Company, major kiln households, and prominent figures in Dingshu Town were all agitated. It turned out that a walnut-shaped teapot, created as a graduation piece at the Ceramics Apprentice School, had been made exceptionally well, drawing much attention. The walnut-shaped teapot was a specialty of renowned teacher Fan Dasheng, who had recently won a gold medal at the Panama Exposition. This particular teapot was even better than the one that had won the gold medal. Although it belonged to the same type, it was not a mere copy but instead possessed more charm and grandeur. The creator of this graduation piece was Feng Guilin, who was just a teenager at the time. As the saying goes, "A myriad of shapes emerge effortlessly from his hands, unmatched by any other." Feng Guilin's zisha teapots vary in form—some are plump, others slender; some tall, others short; some square, others round; some intricate, others simple. They often undergo changes and…

I once saw a so-called "expert" on TV imparting his experience, saying that if you remove the lid of a purple clay teapot and place it upside down on the table, and the spout, rim, and handle are in line, then it's a good teapot (this has misled many enthusiasts; this is related to the height of the spout and handle, not directly related to the quality of the teapot). If we were to select purple clay teapots based on this criterion, many national-level artisans and masters would be out of work. Don't be misled by such so-called experts! Misguided Tip Two Regarding the alignment of the three points. Some people strictly adhere to this standard and use a ruler to measure, deeming the teapot faulty if there's even a half-millimeter difference. This is overly nitpicky and would drive the artisans making purple clay teapots to the brink of madness. Misguided Tip Three Believing that when pouring tea, not a single drop should flow down along the spout. A severe drip is unacceptable, but being too extreme is also nitpicking. Many teapots cannot prevent dripping due to their overall shape (for example, the Shipiao or Hengshui styles), so a comprehensive…

How to nurture a beautiful teapot? This is the most frequently discussed topic and one that every enthusiast of teapot artistry wishes to delve deeper into. Here, I am willing to share my humble insights gained over many years of nurturing teapots for the reference of fellow enthusiasts in the teapot arts. Firstly, good clay. The proudest achievement in nurturing a teapot lies in the uniqueness of the purple clay material; the secret to successful nurturing primarily depends on the quality of the purple clay. Superior clay allows you to achieve twice the result with half the effort, fully enjoying the pleasure and sense of accomplishment in nurturing the teapot; inferior clay will make your efforts futile, leaving you with a tasteless experience and nothing but regret. Therefore, carefully selecting purple clay is the first step to successfully nurturing your teapot. Secondly, thoroughly clean the teapot. If it's a new teapot, be sure to remove the vaseline applied to the surface of the teapot (this can be done by boiling or using salad detergent to clean it); if it's an old teapot, wash away any accumulated grime on the surface. Whether it’s a new or old teapot, returning it to…

Since its inception during the Ming Dynasty and flourishing in the Qing Dynasty, the Zisha teapot has developed for hundreds of years, with countless shapes. The most classic teapots are not only appreciated for their beautiful designs but also for their unique cultural connotations that resonate with many enthusiasts. Among them, there are ten classic Zisha teapot shapes, each with its own story or symbolism, conveying profound and enduring truths that elucidate the philosophy of life. 【Stone Spout】— Temperance The Stone Spout is a traditional classic style of Zisha teapot, elegant and upright. It is said that the original name was Stone Kettle, but during the Republic of China period, Mr. Jingzhou suggested the meaning "Of all the water in the world, I will drink but one cup," renaming it the Stone Spout Teapot, which has been used ever since. The Stone Spout tells us to be content with what we have and not to be overly greedy. Material desires are never fully satisfied, "With a thousand acres of fertile land, one can eat no more than three bowls per meal. With ten thousand rooms, one can sleep in no more than one bed." Excessive possessions burden us. 【Imitation Ancient】—…

As the birthplace of tea culture, in recent years, the revival of tea culture in China has extended to the world of collecting, leading to an increasing public recognition of Yixing clay teapots and tea leaves. Particularly, Yixing teapots have shown a strong upward trend at auctions. Worthy of note is that in this wave of collecting enthusiasm, vintage Japanese iron kettles have become sought-after items among some collectors. The Japanese tea ceremony originates from China, and in the past two years, Japanese iron kettles have become new favorites among Chinese collectors, especially those that are over a century old, which have become increasingly rare. Auction records show that in 2009, China Guardian offered several Japanese iron kettles at its "Guardian Seasons 20th Auction" in the "Celestial Celebrations - Timeless Classics: Aged Pu'er and Tea Utensils" session. One of these was a Japanese "Shunkodo-made Treasure Ship Birthday Wishing Iron Kettle," standing 23.5 cm tall, weighing 1,705 g, and with a capacity of 1.5 L. The kettle's design conveys the message of "Inheriting the Eight Treasures, Longevity and Birthday Wishes," showcasing the high level of casting craftsmanship of the Shunkodo period. This kettle is considered one of the classic works of…

  Purple clay is a thin layer found within the Jia clay ore, and due to its higher iron oxide content compared to Jia clay, it turns purple or dark brown after firing, making it the primary material for crafting purple clay teapots. Purple clay can be further divided into purple clay, red clay, and green clay. Within the category of purple clay, there are also subtypes such as purple clay, Dicaoqing, Hong Pilong, Bai Pilong, Hong Mazi, and Bai Mazi. These three base clays are like the primary colors in painting, capable of producing an infinite variety of hues through different ratios of mixing. The color variations of purple clay achieved through different mixtures of these three base clays and firing temperatures are considered natural and additive-free. This is similar to how we would refer to fabrics dyed with natural plant pigments by ethnic minorities as naturally colored coarse cotton cloth. The color changes in purple clay are related to the types and proportions of metal oxides present in the clay. After firing, the clay can display a range of colors including sky blue, dark liver, hibiscus red, vermilion purple, aquamarine, sunflower yellow, pear skin, pomegranate peel, dark green,…

Often, newcomers will ask, "Is this Duan clay teapot a purple clay teapot?" This may be because they have just started to learn about purple clay teapots and do not understand the meaning of purple clay materials, assuming that Duan clay is not a type of purple clay. Purple clay materials are broadly divided into three categories: Purple Clay, Duan Clay, and Red Clay. The Purple Clay category can be further subdivided into: Bottom Groove Clear, Middle Groove Clear, Pure Purple Clay, Old Purple Clay, etc. Under the Duan Clay category, we can find: Original Mountain Duan, Original Mountain Green Clay, Golden Duan, Old Duan, Blue Duan, etc. The Red Clay category includes: Small Red Clay, Zhu (Imperial Red) Clay, Dahongpao (Big Red Robe), etc. One might then ask: Is Purple Clay better than Duan Clay or Zhu (Imperial Red) Clay? The quality of a purple clay teapot does not have an absolute relationship with its clay material; it depends instead on its craftsmanship and the beauty of its shape. If all the materials come from the original mine, there is no simple distinction between good and bad among Purple Clay, Duan Clay, and Zhu (Imperial Red) Clay. Instead, different…

Instructor Introduction Wang Lin Wang Lin is a teacher at Ziyang Vocational Education Center in Shaanxi Province, an outstanding instructor in the Shaanxi Provincial Secondary Vocational Skills Competition, and a top teacher at the municipal level in Ankang. She is also a national-level tea-tasting technician and tea art technician, as well as a senior etiquette trainer certified by the China Vocational Training Association. Wang has won third place in the national skills competition for teachers, first place in the Shaanxi Provincial skills competition for teachers, and first place in the Shaanxi Provincial secondary vocational school micro-course competition. Selection of Tea Utensils 01 Fusion of Tea, Water, and Fire "Tea is nourished by water, water is given form through vessels, and the infusion is completed with fire. All four are essential and cannot be absent." The importance of tea utensils was mentioned by tea lover Xu Chishu in his work "Tea Notes" as early as the Ming Dynasty. From this, we can see that choosing the right utensil to brew good tea is very important, as the correct choice often enhances the nature of the tea; conversely, it can alter the taste of the tea. Advantages of Glass Cups and Covered…

Purple clay teapots, due to their unique material and manufacturing process, have natural pores between the particles of clay, which makes them breathable but not watertight, very suitable for brewing tea. But does achieving a good patina have anything to do with the type of tea? Does more expensive tea necessarily lead to a better-looking patina? In fact, the quality of the tea has nothing to do with the patina. It is related to the type of tea and the method used to nurture the pot, rather than the cost of the tea determining the quality of the patina. Oily teas, such as Tieguanyin, release oils during brewing that gradually permeate the surface of the pot, leading to the formation of a patina in a relatively short time, giving it an ancient and lustrous appearance. Teas like ripe Pu'er, black tea, and Tieguanyin are particularly effective for nurturing the pot. When nurturing the pot, there are two methods: one is external nurturing, where tea soup is poured over the pot body, allowing the pot to absorb the tea, then hot water is poured over it, and finally, the pot is wiped clean with a tea cloth, ensuring no tea stains…

One, pouring tea over the pot. When brewing tea, some pour tea juice over the pot, believing that this allows the pot to absorb more nutrients, and they neither wipe nor scrub it. Over time, the pot is covered with a layer of tea scale, making its surface unsightly and dark. Two, dry wiping. While brewing tea, take advantage of the pot's heat to pour tea juice over it, and after pouring out the tea juice, use a dry towel to wipe it back and forth. Pots nurtured this way become shiny relatively quickly, but once they are polished, they are most afraid of human sweat and moisture. If the pot comes into contact with either, the luster easily fades, leading to uneven shine on the pot's surface. Three, wet wiping. When the pot is hot, use a towel dipped in tea water to wipe the pot, continuously rubbing it. This method is akin to polishing shoes, applying layers of tea juice onto the pot. Once it shines, if unused for more than six months, the luster gradually fades. Four, frequent brushing. Pour tea water over the pot while it's hot, taking advantage of its absorption, and frequently brush it…

Tieguanyin, a traditional Chinese tea, belongs to the Oolong category and is one of China’s top ten famous teas. It is classified as a semi-fermented tea. Many people enjoy drinking Tieguanyin. If you're going to brew Tieguanyin, I would recommend trying a Zhu Ni (Red Clay) teapot. Zhu Ni and Tieguanyin are often paired together, making the Zhu Ni teapot the preferred choice for brewing Tieguanyin. Zhu Ni teapots have a high density and contraction ratio, which enhances the aroma of the tea. Using this teapot results in a tightly bound, smooth tea soup with a long-lasting aftertaste and strong sweetness. The characteristics of the teapot are quite unique. Six One Hall Dahongpao Cigar Section A Zhu Ni teapot of around 200 ml is more suitable for drinking Tieguanyin. The teapot can quickly reach a high temperature, which meets the requirements for brewing Tieguanyin. In addition to Zhu Ni teapots, Zi Ni (Purple Clay) teapots are also good due to their broad applicability. How to store Tieguanyin? There are five factors that affect the quality of tea: moisture, temperature, air, light, and odor. Generally, low temperatures and vacuum-sealed storage are required to preserve the color, aroma, and taste of Tieguanyin…

Why talk about this topic? It's inspired by frequent sincere requests from enthusiasts saying: I want to buy a teapot, no high demands, as long as it’s made of original mine clay. Others start with the first question: Is it original mine? The pursuit of original mine purple clay is a basic consensus among collectors and enthusiasts. This isn't some elitist prejudice; we must admit that in the minds of players, original mine material is like "noble offspring." So, what’s so good about original mine clay? The essential conditions for original mine clay refer to both the source of the mine and the fact that no chemical additives are used in the raw material extracted directly from the mine to make the clay. Good original mine purple clay contains many tender clays and is a combination of various minerals, especially with very high iron content. After firing, the color becomes dark and subdued, presenting an aged appearance. Additionally, good original mine clay has been aged for a long time, develops patina quickly, and is highly adaptable. In terms of texture, teapots made from original mine clay have a refined luster that is restrained and warm like jade. These are all…

Most Jianshui purple clay artifacts, in essence, are the result of combining “form” with “shape.” Only by achieving as perfect a union of “form” and “shape” as possible can artisans create outstanding Jianshui purple clay works.The two homophonic Chinese characters have different meanings. “Form” refers to the shape of the artifact; it is fixed and static, and can be more broadly understood as tradition. When we speak of a certain form now, we refer to a shape that has been established over the course of history. Only when made in that particular way can it be called that specific form. “Shape,” on the other hand, is changeable and dynamic, with each artifact having a unique shape. Relatively speaking, Jianshui purple clay artifacts offer more expressive space in terms of “shape.” Artifacts of the same form can have one-of-a-kind “shapes” in their decoration, carrying distinct meanings. Negative engraving and positive filling, along with literati painting and calligraphy, make the “shape” of Jianshui purple clay artifacts infinitely variable. The Chinese ink and wash art displayed represents the emotional expression and individuality of the artist. The unique decorative technique of negative engraving and positive filling permanently embeds literati painting and calligraphy into the…

Beloved Yixing clay teapots have come a long way since their origin at the ancient Yangjiao Mountain kiln site in the Northern Song Dynasty, through storms and sunshine, solitude and bustle, never falling out of favor. I. Dragon Fish Pot A classic traditional pot shape, first created by renowned Yixing pot maker Shao Daheng during the Daoguang and Xianfeng eras of the Qing Dynasty. On one side, a fierce dragon head emerges from waves, its mouth spitting out a luminous pearl. On the other side is an image of a carp leaping out of the waves. The lid is shaped like waves rising, with a three-dimensional carved dragon head protruding from the crest, serving as the lid knob. The dragon head can extend and retract; when pouring tea, the dragon head extends, and a dragon tongue extends from inside. When the tea is poured out and the pot is leveled, the dragon head retracts, and the dragon tongue also disappears back into the dragon's mouth, a very ingenious design. II. Shishi (Stone Spout) A traditional classic style made by many famous potters over the generations, each with their own unique style. It includes variants such as Ziyi Shishi, Jingzhou Shishi,…