Yixing Teapots

If the Yixing teapot is purely for daily use, it's generally appropriate to choose one priced between 500 to 1,000 yuan. If you seek both practicality and artistry in your teapot, you may opt for one costing between 1,000 to 10,000 yuan. If you also desire collectibility, you might consider teapots priced between 100,000 to 10 million yuan. The appropriate price for a personal-use Yixing teapot depends on your purpose for purchasing it. If it's just for everyday use and you don't care whether it was made by a renowned craftsman, a teapot priced between 600 to 1,000 yuan would be suitable. If you want a teapot that not only serves practical purposes but also meets artistic standards and exceeds basic models, you might choose one priced between 4,000 to 10,000 yuan. These teapots are typically made from precious clay and are mostly handcrafted. If you wish to use your teapot daily and also for collecting, you could consider teapots priced between 10,000 to 100,000 yuan. Such teapots are often crafted by renowned artisans and embody craftsmanship, artistry, and cultural value. A Yixing teapot is an essential piece of tea ware on any tea table and an important component of…

When the lid of a pot breaks, enthusiasts often want to find a replacement, while potters are often reluctant to make one. This can lead to some frustration among collectors. However, understanding the characteristics of Yixing clay and the process of making Yixing teapots can help enthusiasts comprehend the situation. In the world of Yixing teapots, there is a saying: “It’s easier to make three pots than to match one lid.” This is because the properties of Yixing clay vary, and factors such as clay mixing, firing temperature, and firing method can affect the final appearance of the pot, with different contraction rates after firing. ▲Dezhong pot in Ding Trough Qing, plain style A Yixing teapot undergoes two contractions from its raw state to being fired: drying contraction and firing contraction. The degree of contraction is directly related to the type of clay, the moisture content of the raw pot, the firing temperature, and the firing time. It is impossible to replicate the exact firing temperature and time, so even if the same type of clay is used to make identical pots, the size of each firing will vary slightly. ▲Dezhong pot in Ding Trough Qing, bamboo engraving style Therefore,…

Purple clay teapots are the pride of Chinese tea culture, and they remain a shining gem in the annals of Chinese tea culture. Yixing purple clay teapots are a marvel within the splendid tapestry of Chinese tea culture. They are not only a brilliant outcome of the development of Chinese material civilization but also a comprehensive crystallization of the progress of Chinese culture. Their creation and prosperity were both a natural evolution of tea culture history and a significant impetus for enhancing the form, quality, and appeal of tea art. The artistic transformation in the making of purple clay teapots has not only expanded the intellectual connotations of tea culture but also enriched its spiritual domain. Chinese tea culture itself advocates a simple and noble attitude towards life, but during the Tang and Song dynasties, the elaborate tea-drinking rituals overshadowed the spiritual essence, leaving behind only rigid formalities. Drinking tea was more about performing rituals, and savoring tea became an act of merely playing with it. The popularity of purple clay teapots eliminated these complex tea-drinking procedures, allowing individuals to brew and drink tea on their own. In this simple and unadorned manner of drinking, scholars could fully engage their…

The process of nurturing a teapot starts from the very first use. To achieve a lustrous and smooth effect, besides having a good quality teapot, the correct care and maintenance methods are also crucial. Remember the following three points in your daily tea brewing routine: 1. Before Brewing Tea Preheat the teapot inside and out with warm water to remove any musty odor and bacteria (be mindful of temperature differences, use lukewarm water rather than boiling). 2. During Brewing During each brewing interval, wipe the teapot clean with a damp cloth (one that is absorbent) and then polish it with a dry cloth (soft). Consistency will bring out the teapot's warmth and luster. 3. After Brewing After using the Yixing teapot for brewing tea, clear out the leaves and tea water, then rinse the teapot inside and out with hot water. Do not use chemical cleaning agents; they can alter the aroma retained by the teapot and affect its sheen. In addition to the daily routine, follow these principles when nurturing your teapot: 01 To develop an outer patina on a Yixing teapot, frequently brew tea and rinse the exterior. After each brewing session, make sure to wipe the outside…

Shi Dabin (1573–1648), also known as Shi Dabing, with the style name Shaoshan, was from Wuyuan, Huizhou. After finishing his private school education at the age of 13, Shi Dabin began making Yixing clay teapots. At that time, Gong Chun, a renowned master of Yixing ware, was already an octogenarian. In a certain year, month, and day, Gong Chun met Shi Dabin, recognizing his potential and took him under his wing to mentor him personally, eventually becoming his last disciple. After several years of apprenticeship, Shi Dabin inherited and mastered Gong Chun’s method of pot-making by hand modeling. He conducted extensive research on clay mixture preparation, forming techniques, design, and engraving for Yixing ware. He developed his own method of making pots using the "body-building" technique of patting and shaping. He not only expanded the variety and ornamental forms of Yixing clay teapots but also established a highly sophisticated technical system still used by the Yixing industry today, involving clay slabs and inlaying. He carefully selected various shades of Yixing clay to create a style that is ancient and majestic. Shi Dabin was extremely serious about his work; whenever he was unsatisfied with a piece, he would destroy it without…

As the birthplace of tea culture, in recent years, the revival of tea culture in China has extended to the world of collecting, leading to an increasing public recognition of Yixing clay teapots and tea leaves. Particularly, Yixing teapots have shown a strong upward trend at auctions. Worthy of note is that in this wave of collecting enthusiasm, vintage Japanese iron kettles have become sought-after items among some collectors. The Japanese tea ceremony originates from China, and in the past two years, Japanese iron kettles have become new favorites among Chinese collectors, especially those that are over a century old, which have become increasingly rare. Auction records show that in 2009, China Guardian offered several Japanese iron kettles at its "Guardian Seasons 20th Auction" in the "Celestial Celebrations - Timeless Classics: Aged Pu'er and Tea Utensils" session. One of these was a Japanese "Shunkodo-made Treasure Ship Birthday Wishing Iron Kettle," standing 23.5 cm tall, weighing 1,705 g, and with a capacity of 1.5 L. The kettle's design conveys the message of "Inheriting the Eight Treasures, Longevity and Birthday Wishes," showcasing the high level of casting craftsmanship of the Shunkodo period. This kettle is considered one of the classic works of…

We often come across various Yixing teapots but may not know their names. Here, we will introduce some of the most common Yixing teapot shapes.  Source: Chinese Tea Culture Knowledge

A high-quality Yixing purple clay teapot is unforgettable, and it should possess four characteristics: first, it must be beautiful, captivating at first sight; second, it must be appealing upon repeated viewing, never tiring the eye; third, it must have a certain charm, evoking a sense of wonder; and fourth, there must be a connection, making you think about it constantly. Beauty means that it is visually pleasing and stands out, transcending the ordinary in a sea of Yixing teapots, leaving an indelible impression and captivating one’s heart at first glance. It’s important to note that being visually pleasing doesn’t mean being overly flashy, and standing out doesn’t equate to being outlandish. Those artifacts that attempt to grab attention through bizarre shapes or grotesque decorations may have a visual allure, but due to their excessive flamboyance, they fail to be enduringly pleasing to the eye. Being appealing upon repeated viewing means that the teapot can withstand close and repeated inspection, always revealing something new and never becoming tiresome. Some teapots might initially shock with their impact, but further examination reveals poor craftsmanship; what appears alluring today becomes dull tomorrow. Fine Yixing art has spirit and soul. Capturing this elusive essence of…